Review: “One Too Many’: Unveiling Flaws in Narrative Depth and Performances”

Review One Too Many

Review One Too Many; The central themes of One Too Many are the tragic lives of Otas (Chimezie Imo) and Adesuwa (Dakore Egbuson-Akande), a single mother.

When rogue police officers shoot him, Amos (Ikponmwosa Gold), Adesuwa’s caring and devoted father, demonstrates that he will stop at nothing to support her education.

He even forgoes receiving care for his gunshot wounds. However, Adesuwa’s family has yet to witness the end of police abuse.

The street is not a place for the weak or fragile.

The recurring line in the movie, barely portraying the streets, emphasizes the need for toughness against street predators.

The ambiguity of this statement highlights how underdeveloped every aspect of Kayode Kasum’s recent movie is.

She flees her home in shame, raising her son alone. Years later, Otas faces police brutality as they falsely accuse him of his best friend’s murder. Despite believing in his guilt, his mother and recently reunited sister, Ehi, uncover the police’s hidden agenda and strive to save him from imprisonment by revealing their own truths to break the cycle of trauma.

However, as the film unfolds, it becomes evident that the writing falls short in capturing the depth of the story. While there are glimpses of the intimate relationships between characters, they are not explored sufficiently, Review One Too Many.

Initially close, Otas’s bond with his mother, Adesuwa, falters dramatically after a short prison stay, leaving the audience puzzled.

Subplots emerge abruptly without adequate development, leading to a disjointed plot progression.

The primary conflict, centered around Otas’s innocence, lacks clarity and coherence. Initially, it seems Eric’s influential father is orchestrating Otas’s downfall, but later, the focus shifts to the police.

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The audience remains uncertain about whom to support, as they find the motivations behind the characters’ actions unclear.

While Nollywood films typically portray the Nigerian police force negatively, the depiction in “One Too Many” borders on caricature. Despite this, it effectively highlights their incompetence, albeit exaggerated.

Despite the emotional weight of the story, the actors fail to deliver compelling performances. Their portrayal of characters lacks depth and conviction, with minimal impact on the audience. The absence of directorial guidance further exacerbates these shortcomings, Review One Too Many.

“One Too Many” has the potential for societal significance, but its weak writing and direction undermine its intended impact.

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