Hannah has been writing about horror, sci-fi, and all things nerdy since 2021. At Collider, she covers news and conducts interviews, along with contributing features that dive deep into genre storytelling and why it works. If there’s something lurking in the shadows, she’s probably already writing about it if she's not too busy watching a tape from her VHS collection.
Some of the most uncomfortable relationship stories start with a simple “what if?” and that exact kind of curiosity helped spark the idea behind Alice & Steve. While speaking with Collider as part of our Summer Preview Event, creator and writer Sophie Goodhart opened up about how a casual conversation with a friend unexpectedly became the foundation for the upcoming series. In addition to our conversation with Goodhart, Collider is thrilled to bring you three new exclusive images from Alice & Steve.
“I love writing intergenerational stuff. I was actually talking to a friend, a single male friend, and I was talking about how he's dating younger. And then I just sort of was like, ‘Oh my God, imagine if this was to happen, if a friend was to go out with someone’s daughter.’”
According to Goodhart, the idea came together remarkably quickly after that realization. She revealed that she had a general meeting scheduled with producers shortly after the concept first entered her head, eventually pitching the series before much of it had even been written. “It was like, I had the idea about a week before I was having a general meeting,” she said. “And then I pitched the idea in the general, and I hadn't really written anything.”
COLLIDER.
Collider · Quiz
Collider Exclusive · Oscar Best Picture QuizWhich Oscar Best Picture Is Your Perfect Movie?Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
QUESTION 1 / 10TONE
01
What kind of film experience do you actually want?The best movies don't just entertain — they leave something behind.
QUESTION 2 / 10THEME
02
Which idea grabs you most in a film?Great films are driven by a central obsession. What's yours?
QUESTION 3 / 10STRUCTURE
03
How do you like your story told?Form is content. The way a story is shaped changes what it means.
QUESTION 4 / 10VILLAIN
04
What makes a truly great antagonist?The opposition defines the protagonist. What kind of opposition fascinates you?
QUESTION 5 / 10ENDING
05
What do you want from a film's ending?The final note is the one that lingers. What do you want it to sound like?
QUESTION 6 / 10WORLD
06
Which setting pulls you in most?Where a film takes place shapes everything — mood, stakes, what's even possible.
QUESTION 7 / 10CRAFT
07
What cinematic craft impresses you most?Every great film has a signature — a technical or artistic element that makes it unmistakable.
QUESTION 8 / 10PROTAGONIST
08
What kind of main character do you root for?The protagonist is the lens. Who you choose to follow says something about you.
QUESTION 9 / 10PACE
09
How do you feel about a film that takes its time?Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
QUESTION 10 / 10AFTERMATH
10
What do you want to feel walking out of the cinema?The best films leave a mark. What kind of mark do you want?
The Academy Has DecidedYour Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
BEST PICTURE 2020
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho's Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it's ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
BEST PICTURE 2023
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels' Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn't want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it's about.
BEST PICTURE 2024
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan's Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
BEST PICTURE 2015
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it's about. Alejandro González Iñárritu's Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor's ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn't be possible. Michael Keaton's performance and Emmanuel Lubezki's restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
BEST PICTURE 2008
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers' No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
‘Alice & Steve’ Changed as the Cast Came Together
While the original pitch focused mostly on the central premise, Goodhart explained that the characters themselves evolved significantly once casting began. She specifically pointed to Nicola Walker and Jemaine Clement joining the project as major turning points in shaping how the series ultimately developed. “The original pitch was just really the kind of the premise,” Goodhart said. “Once we'd also attached Nicola quite early, I had her in my head when I was writing, which was so helpful. And then once we got Jermaine, I also could write with him in mind.”
That collaborative evolution became one of the defining parts of the writing process for Goodhart, who described the experience of watching the project fully come together as both surreal and exciting. Alice & Steve also marks the first project where she served as the sole writer, something she described as both nerve-wracking and rewarding. “This is the first thing that I'm the only writer,” Goodhart said. “And that's just been so exciting.”
Goodhart Says ‘Alice & Steve’ Is Entirely Character Driven
One of the most interesting details Goodhart shared about the series involved her approach to writing the characters themselves. Rather than building the show primarily around plot mechanics, she explained that the emotional perspective of each character guided the structure of the scripts. “I’m totally character driven,” Goodhart said. “When I write the drafts, I’ll write a draft from each character’s sort of point of view. So I’ll do the Alice pass and then the Steve pass and then the Izzy pass.”
That approach also allows the audience's perspective to shift naturally throughout the writing process, something Goodhart says became one of her favorite aspects of developing the series. “I really like the idea of us discovering that we're rooting for a different character and not always being within one person's head,” she explained. By the time filming began, Goodhart said the long development process ultimately became an advantage rather than a frustration, giving her confidence in both the characters and the larger emotional direction of the show.
Alice & Steve is set to premiere on June 8 on Hulu. Check out our exclusive first look above, and come back to Collider in the coming days for exclusive reveals from the season's most anticipated television and film releases as part of our Summer Preview Event.
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